V. Bibliography

Adamowicz, Elza. “The Surrealist (Self-)Portrait: Convulsive Identities.” Surrealism: Surrealist Visuality. Silvano Levy, ed. New York: New York University Press, 1997, 31-43.

Assa, Sonia. “Gardens of Delight or, ‘What’s Cookin’?:’ Leonora Carrington in the Kitchen.” Studies in Twentieth Century Literature 15(2): 1991, 213-237.

Beaumont, Mary Rose. “Leonora Carrington.” Arts Review (London) 44: April 1992, 130.

Bowers, Susan R. “The Witch’s Garden: The Feminist Grotesque.” Sexuality, the Female Gaze, and the Arts. Ronald Dotterer and Susan R. Bowers, eds.

Butler, Joseph T. “Leonora Carrington.” Connoisseur 191: April 1976, 307.

Carrington, Leonora. The Seventh Horse and Other Tales. New York: E.P. Dutton, 1988.
— The House of Fear: Notes from Down Below. New York: E.P. Dutton, 1988.
— The Hearing Trumpet. New York: E.P. Dutton, 1976.
— Leonora Carrington: The Mexican Years 1943-1985. San Francisco, CA: The Mexican Museum, 1991.

Chadwick, Whitney. Women Artists and the Surrealist Movement. Boston: Little, Brown and Company, 1985.
— Personal interview, San Francisco, California, 29 December 1998.
— “Leonora Carrington: Evolution of a Feminist Consciousness.” Woman’s Art Journal 7: Spring/Summer 1986, 37-42.
— ed. Women, Art and Society. New York: Thames and Hudson, 1990.
— “El mundo mágico.” Leonora Carrington: The Mexican Years 1943-1985. San Francisco, CA: The Mexican Museum, 1991.
— “Pilgrimage to the Stars: Leonora Carrington and the Occult Tradition.” Leonora Carrington: Paintings, Drawings and Sculptures, 1940-1990. Andrea Schlieker, ed. London: The Serpentine Gallery, 1991.
— with Isabelle de Courtivron, eds. Significant Others: Creativity and Intimate Partnership. New York: Thames and Hudson, 1993.
— La realidad de la imaginación. Mexico, D.F.: Consejo Nacional para la Cultura y las Artes, Dirección General Publicaciones, 1994.
— “Leonora Carrington: Visual Narrative in Contemporary Mexican Art.” A Womanís Gaze: Latin American Women Artists. Marjorie AgosÌn, ed. Fredonia, NY: White Pine Press, 1998, 97-109.
— ed. Mirror Images: Women, Surrealism, and Self-Representation. Cambridge, MA: The MIT Press, 1998.

Christensen, Peter G. “The Flight from Passion in Leonora Carrington’s Literary Work.” Surrealism and Women. Mary Ann Caws, Rudolf Kuenzli, and Gwen Raaberg, eds. Cambridge, MA: The MIT Press, 1990, 148-157.

Cottenet-Hage, Madeleine. “The Body Subversive: Corporeal Imagery in Carrington, Prassinos, and Mansour.” Surrealism and Women. Mary Ann Caws, Rudolf Kuenzli, and Gwen Raaberg, eds. Cambridge, MA: The MIT Press, 1990, 76-95.

Cardinal, Roger. “Preston, Harris Museum: Leonora Carrington.” Burlington Magazine 134: March 1992, 200-201.

Cohen, Ronny. “Leonora Carrington: Brewster Gallery.” Artforum 27: October 1988, 150.

Colvile, Georgiana M.M. “Beauty and/Is the Beast: Animal Symbology in the Work of Leonora Carrington, Remedios Varo, and Leonor Fini.” Surrealism and Women. Mary Ann Caws, Rudolf Kuenzli, and Gwen Raaberg, eds. Cambridge, MA: The MIT Press, 1990, 159-181.

Conley, Katharine. Automatic Woman: The Representation of Women in Surrealism. Lincoln, Nebraska: The University of Nebraska Press, 1996, 49-78.

De Angelis, Paul. “Entrevista a Leonora Carrington.” La realidad de la imaginación. Whitney Chadwick, ed. Mexico, D.F.: Consejo Nacional para la Cultura y las Artes, Dirección General Publicaciones, 1994, 150-154.

Denvir, Bernard. “Enchanted Worlds.” The Artist 106: December 1991, 16-17.

Fauchereau, Serge. “Surrealism in Mexico.” Artforum. 25: September 1986, 86-91.

Gablik, Suzi. “Leonora Carrington at Iolas and the Center for Inter-American Relations.” Art in America 64: March 1976, 111.

Godfrey, Tony. “Serpentine Gallery, traveling exhibition, London, England.” Art in America 80: March 1992, 128.

Griffin, Gabriele. “Becoming as Being: Leonora Carringtonís Writings and Paintings 1937-1940.” Difference in View: Women and Modernism. Gabriele Griffin, ed. Bristol, PA: Taylor and Francis, 1994, 92-107.

De Givry, Emile Jules Grillot. Witchcraft, Magic, and Alchemy. New York: Houghton Mifflin Company, 1931.

Grimberg, Salomon. “Leonora Carrington.” Art Nexus 26: October/December 1997, 62-65.

Hall, Calvin S. and Vernon J. Nordby A Primer of Jungian Psychology. New York: Taplinger Publishing Company, 1973.

Harpham, Geoffrey Galt. “Formation, Deformation, and Reformation: An Introduction to the Grotesque.” On the Grotesque. Princeton: Princeton University Press, 1985, 3-22.

Helland, Janice. “Surrealism and Esoteric Feminism in the Paintings of Leonora Carrington.” Revue d’Art Canadienne 16(1): 1989, 53-61.

Hubbard, Sue. “Beasties and Ghosties.” New Statesman and Society 5(184): January 10, 1992, 32-33.

Hubert, Renée Reise. “Leonora Carrington and Max Ernst: Artistic Partnership and Feminist Liberation.” New Literary History 22(3): Summer 1991, 715-745.
— Magnifying Mirrors: Women, Surrealism, and Partnership. Lincoln, Nebraska: The University of Nebraska Press, 1994.

James, Edward, ed. Leonora Carrington: A Retrospective Exhibition. New York: The Center for Inter-American Relations, 1976.

James, Merlin. “The Rebellious Debutante’s Cause.” London Magazine 32(1/2): April/May 1992, 115-119.

Kaplan, Janet. Unexpected Journeys: The Life and Art of Remedios Varo. New York: Abbeville Press, 1988.

Knapp, Bettina. “Leonora Carringtonís Whimsical Dreamworld: Animals Talk, Children are Gods, a Black Swan Lays an Orphic Egg.” World Literature Today 51(4): Autumn 1977, 525-530.

Lansford, Alfonso. “Carrington Fantasies.” Art Digest 22: March 1, 1948, 17.

Levitt, Annette Shandler. “The Bestial Fictions of Leonora Carrington.” Journal of Modern Literature 20(1): Summer 1996, 65-74.

Lucie-Smith, Edward. Latin American Art of the Twentieth Century. New York: Thames and Hudson, 1993.

Mandlove, Nancy. “Humor at the Service of the Revolution: Leonora Carrington’s Feminist Perspective on Surrealism.” Perspectives on Contemporary Literature 7: 1981, 117-122.

Meskimmon, Marsha. The Art of Reflection: Women Artists’ Self-Portraiture in the Twentieth Century. New York: Columbia University Press, 1996.

Orenstein, Gloria Feman. The Theater of the Marvelous: Surrealism and the Contemporary Stage. New York: New York University Pressm 1975.
— “Leonora Carrington’s Visionary Art for the New Age.” Chrysalis 3: 1978, 65-77.
— “The Methodology of the Marvelous.” Symposium 42: Winter 1989, 329-339.
— The Reflowering of the Goddess. New York: Pergamon Press, 1990.

Peden, Margaret Sayers. Out of the Volcano: Portraits of Contemporary Mexican Artists. Washington, DC: Smithsonian Institution Press, 1991, 1-6, 19-23.

Poirer, Maurice. “Women Surrealists.” Art News 84: October 1985, 133.

Russo, Mary. The Female Grotesque: Risk, Excess, and Modernity. New York: Routledge, 1995.

Sargeant-Wooster, Anne. “Leonora Carrington (Iolas).” Art News 75: March 1976, 141.
Sawin, Martica. Surrealism in Exile and the Beginning of the New York School. Cambridge, MA: The MIT Press, 1995.

Schaefer, Claudia. “Frida Kahlo’s Cult of the Body: Self-Portrait, Magical Realism, and the Cosmic Race.” Textured Lives: Women, Art, and Representation in Modern Mexico. Tucson, AZ: The University of Arizona Press, 1992, 3-37.

Schlieker, Andrea, ed. Leonora Carrington: Paintings, Drawings and Sculptures, 1940-1990. London: The Serpentine Gallery, 1991.

Schor, Naomi and Elizabeth Weed, eds. The Essential Difference. Bloomington, Indiana: Indiana University Press, 1994.

Sills, Leslie. “Leonora Carrington.” Visions: Stories About Women Artists. Morton Grove, Illinois: A. Whitman Company, 1993, 20-31.

Suleiman, Susan Rubin. “Feminist Intertextuality and the Laugh of the Mother: Leonora Carrington’s Hearing Trumpet.” Neverending Stories: Toward a Critical Narratology. Ann Fehn, Ingeborg Hoesterey and Maria Tatar, eds. Princeton: Princeton University Press, 1992, 179-198.
— “The Bird Superior Meets the Bride of the Wind: Leonora Carrington and Max Ernst.” Significant Others: Creativity and Intimate Partnership. Whitney Chadwick and Isabelle de Courtivron, eds. New York: Thames and Hudson, 1993, 97-118.
“ Surreal Fantasy.” Southwest Art 21(9): February 1992, 112.

Wacker, Kelly A. “Alchemy in Exile: The Alchemical Kitchen in the Work of Leonora Carrington and Remedios Varo.” Ohio Northern University Monograph 44: Spring 1995, 1-5.

Warner, Marina. “Leonora Carrington.” The Burlington Magazine 130: October 1988, 796-797.

Warner, Marina. “Commentary.” Leonora Carrington: Paintings, Drawings and Sculptures, 1940-1990. Andrea Schlieker, ed. London: The Serpentine Gallery, 1991.

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